Philadelphia: 1854. Ninth plate ambrotypes in a union case, measuring 2 ½ x 2 ⅛ inches (visible) in larger case. With the identification of (Isaac) Rehn, with his imprint and “Patented July 4 & 11, 1854” imprinted on the case. A fine pair. A striking pair of ambrotypes of Mary.....
Los Angeles: 1976. Eight kodachrome slides showing Foxx, with one possibly related slide of a woman included as well. Unpublished, originally taken for the May 6, 1976 issue of Jet Magazine (Vol. 50 No. 7), which is also included here. Fine condition, magazine nearly fine with slightest tanning. Redd Foxx.....
Tuskegee: 1949. Silver gelatin photograph measuring 8 x 10 inches, with two typed letters, signed, one from Dawson and one from Rolla Foley. Identifying marks to verso of photograph, generally fine condition. A portrait of William L. Dawson, taken by P.H. Polk, during Dawson’s tenure at the Tuskegee Institute, where.....
New York: 1910-1920. Photograph measuring 5 x 3 ½ inches on larger mount. Some fading to image, wear to mount, very good. Walter Baker was a founder of the Colored Photographers Association and owned and operated a studio and school on Lenox Avenue at 133rd Street in New York in.....
Cincinnati: Ball and Thomas, 1858-1868. Four cartes de visite, one showing Ball and Thomas's studio at 120 w. 4th St. and the other three with the 30 W. 4th St. address. A group of four photographs taken at the studio of J.P. Ball in Cincinnati. One subject is identified as.....
![Item #List1403 “Old Sod” [Carte-de-Visite of a Stoneware Folk Art Sculpture]....](https://augerdownbooks.cdn.bibliopolis.com/pictures/List1403.jpg?width=320&height=427&fit=bounds&auto=webp&v=1646926271)
Cincinnati: J.P. Ball's Photographic Gallery, 1864. Carte-de-visite photograph on larger mount. Writing on verso in ink reads “No. 2. Oct 19/64 / Old Sod.” Some light toning to recto, near fine overall, quite well preserved. An uncommon folk art form, captured on film by the African-American photographer James Presley Ball.....
Richmond: Jefferson Fine Art Gallery, 1898. Albumen photograph measuring 5 ½ x 3 ⅞ on larger mount. Very good to near fine with light wear. James Conway Farley was the first African-American photographer to gain fame in the United States, exhibiting at the Colored Industrial Fair in Richmond in 1884.....
Providence? 1883? First Edition. Albumen photograph measuring 5 ¾ x 4 ½ inches on larger mount. Some light wear, near fine. Sarah James Eddy, the abolitionist and social reformer from Providence, Rhode Island, painted the only known portrait of Frederick Douglass for which he sat in 1883. She painted two.....
London: 1890s. Small cabinet card photograph measuring 3 ½ x 2 ½ on larger mount. Slight fading, excellent condition. A portrait of Ambrose Clairmont of Bridgetown, Barbados, taken in London at the J.L. Huntly studio in Highbury. Clairmonte was a tailor and graduate of Harrison College in Bridgetown, Barbados. His.....
Asheville: 1910-1920. Silver gelatin print measuring 8 x 10 inches. Some stains and wear, information on verso, good condition. A photograph of the staff at Asheville’s historic Grove Park Inn, taken c. 1910-1920 by the photographer Herbert W. Pelton, who operated a studio in Asheville and took many pictures around.....
Bakersfield: C.A. Nelson, 1890s. Silver gelatin photograph measuring 5 ½ x 3 ⅞ inches on larger mount. Heavy wear to mount, some staining to margin of photograph, wear and creases and a closed tear to mat, fair to good overall. An incredible image of a young African-American man, finely dressed.....
American: 1860s. An incredible portrait of an African-American soldier holding a rifle with a bayonet, highly uncommon for three reasons: the fact that it shows an African-American soldier in uniform during the conflict, the playful expression of the sitter, and the caption. The caption is of unknown origin, possibly composed.....
New Orleans and Environs: c. 1880. Includes the following images: Picking Cotton. 7 x 4 in. on cardstock mount (sunned at lower edge). Outdoor view showing many African Americans harvesting cotton. -- Outdoor view of 2 paddlewheel steamships with a crowded dock. 7 1/4 x 4 in. unmounted albumen. --.....
Pocahantas: P.W. Poff, 1860s-1870s. Albumen carte de visite photographs measuring 3 ½ x 2 ½ inches on slightly larger mounts. Some fading to some images, one in fine condition, good to very good overall. A series of images taken by P.W. Poff, who also operated a studio at Bluefield, West.....
Pennsylvania and France: 1890s-1910s. Five Cabinet Card Photographs and one Mounted Photograph taken at the L. Vasseur Studio in Paris. Generally fine condition, one cabinet card with chips to mount. A small but very compelling group of images recovered from a family collection, documenting an African-American family from Pennsylvania. Five.....
Florida: 1890s. Five bromide photographs measuring 4 3/4" by 4" mounted on a 13 ¾ x 10 ¾ album leaf. Excellent contrast, near fine overall. A collection of five images showing scenes along the Ocklawaha river in the 1890s. The Ocklawaha had been a popular steamboat route in the nineteenth.....
Massachusetts: 1880s-1890s. Albumen and Silver Gelatin Prints, 9 ¾ x 8 ¾ - 8 x 6 inches on larger mounts, three with credits to Conant, photographer, one credited to Benjamin Freeman and one uncredited. Varying wear, very good condition overall. The Isaac Royall house in Medford, which still exists as.....
Ohio: 1918. Silver gelatin photograph in glass-fronted frame, image measures 24 ¼ x 6 ⅞ inches. Matted and framed, not examined out of frame. The 317th Engineer’s Band was a part of the 317th Engineer Regiment, an element of the 92nd Division, which was composed of over 15,000 African-American soldiers.....
Tuskegee: 1930s. Pair of silver gelatin prints measuring 9 ½ x 7 ⅞ and 7 x 5 inches. Residue to versos from removal from scrapbook, tear and crease to larger image, very good contrast. A pair of photographs from the prolific photographer Prentice H. Polk of a band led by.....
New York: Late 1920s. First Edition. Gelatin silver print measuring 8 x 10 inches. Some editorial marks to verso, very good contrast, very good overall. The Dunbar Apartments were one of the first developments built for African-Americans, in a period in which there was a shortage of housing in Harlem.....
Richmond: 1870s? Albumen photograph measuring 2 ½ x 4 inches on larger mount. Fine contrast. A fine portrait of a formally dressed African-American man taken in Richmond in the 1870s by the G.W. Davis studio, possibly taken during the tenure of James Conway Farley, the noted African-American photographer who Davis.....
Nashville: 1890s. Albumen photograph measuring 4 ½ x 6 ½ on larger mount. Some wear to mount, excellent condition overall with excellent contrast. Alfred Jackson lived from 1812 to 1901 at the Hermitage in Nashville, Tennessee, first as an enslaved person, and later as a tenant farmer and guide to.....
American: 1840s-1850s. Ninth-plate daguerreotype measuring 2 ⅜ x 1 ⅞ inches in thermoplastic case. Generally excellent condition. A bust-length daguerreotype portrait of an African American woman with coiffed hair. Her cheeks have been tinted pink and her bowtie is blue.
Vickburg: M.T. Frederichs, 1880s-1890s. Cabinet card photograph measuring 5 ½ x 4 on larger mount. Some light wear to mount, very good. A portrait of an African-American woman in a dress, holding a parasol and with a hat curiously perched on a prop branch nearby. We find a record of.....
Various, including Middlesex County, Virginia and Radnor Township, Pennsylvania]: [circa-1920's]. 1920s. Oblong photo album, black cloth over cardstock, measuring 10" x 7 1/4." With seventeen black paper leaves with seventy-nine black and white snapshot photographs. Photograph adhesive mounted to rectos and versos. Five leaves in about the center of the.....