Los Angeles: 1976. Eight kodachrome slides showing Foxx, with one possibly related slide of a woman included as well. Unpublished, originally taken for the May 6, 1976 issue of Jet Magazine (Vol. 50 No. 7), which is also included here. Fine condition, magazine nearly fine with slightest tanning. Redd Foxx.....
![Item #List1403 “Old Sod” [Carte-de-Visite of a Stoneware Folk Art Sculpture]....](/pictures/thumb/List1403.jpg?v=1646926271)
Cincinnati: J.P. Ball's Photographic Gallery, 1864. Carte-de-visite photograph on larger mount. Writing on verso in ink reads “No. 2. Oct 19/64 / Old Sod.” Some light toning to recto, near fine overall, quite well preserved. An uncommon folk art form, captured on film by the African-American photographer James Presley Ball.....
Bakersfield: C.A. Nelson, 1890s. Silver gelatin photograph measuring 5 ½ x 3 ⅞ inches on larger mount. Heavy wear to mount, some staining to margin of photograph, wear and creases and a closed tear to mat, fair to good overall. An incredible image of a young African-American man, finely dressed.....
Various Places: 1957-1964. First Edition. Press photographs, various editorial marks and signs of wear, very good plus to near fine overall with excellent contrast. A collection of twenty-five photographs of desegregation and subsequent violence and protests in Little Rock, with twenty-two of the group showing events relating to the Little.....
Various Publishers, 1960s. Press photographs measuring 8 x 10 inches and smaller. Generally fine condition. A collection of press photographs of the Evers family, most taken during the period following Medgar Evers’ assassination in 1963. The group begins chronologically with a portrait of Medgar Evers taken and printed in 1962.....
Reading: New York Gallery, c. 1880. Cabinet card measuring 4 x 2 ½ inches on larger mount, overall fine. An unusual cabinet card showing men together toasting, with an African-American subject in the foreground wearing medals on his jacket likely collected at GAR reunions. The men look directly at the.....
American: 1860s. An incredible portrait of an African-American soldier holding a rifle with a bayonet, highly uncommon for three reasons: the fact that it shows an African-American soldier in uniform during the conflict, the playful expression of the sitter, and the caption. The caption is of unknown origin, possibly composed.....
New Orleans and Environs: c. 1880. Includes the following images: Picking Cotton. 7 x 4 in. on cardstock mount (sunned at lower edge). Outdoor view showing many African Americans harvesting cotton. -- Outdoor view of 2 paddlewheel steamships with a crowded dock. 7 1/4 x 4 in. unmounted albumen. --.....
Pocahantas: P.W. Poff, 1860s-1870s. Albumen carte de visite photographs measuring 3 ½ x 2 ½ inches on slightly larger mounts. Some fading to some images, one in fine condition, good to very good overall. A series of images taken by P.W. Poff, who also operated a studio at Bluefield, West.....
Florida: 1890s. Five bromide photographs measuring 4 3/4" by 4" mounted on a 13 ¾ x 10 ¾ album leaf. Excellent contrast, near fine overall. A collection of five images showing scenes along the Ocklawaha river in the 1890s. The Ocklawaha had been a popular steamboat route in the nineteenth.....
Florida or Louisiana: c. 1900. Gelatin silver prints measuring 6 3/8" x 8 ⅜. Some light wear and foxing, large chip to one mount, excellent contrast, very good overall. A series of three photographs of logging operations in the southern United States, likely Florida or Louisiana but unidentified, during the.....
Massachusetts: 1880s-1890s. Albumen and Silver Gelatin Prints, 9 ¾ x 8 ¾ - 8 x 6 inches on larger mounts, three with credits to Conant, photographer, one credited to Benjamin Freeman and one uncredited. Varying wear, very good condition overall. The Isaac Royall house in Medford, which still exists as.....
New York: Late 1920s. First Edition. Gelatin silver print measuring 8 x 10 inches. Some editorial marks to verso, very good contrast, very good overall. The Dunbar Apartments were one of the first developments built for African-Americans, in a period in which there was a shortage of housing in Harlem.....
Nashville: 1890s. Albumen photograph measuring 4 ½ x 6 ½ on larger mount. Some wear to mount, excellent condition overall with excellent contrast. Alfred Jackson lived from 1812 to 1901 at the Hermitage in Nashville, Tennessee, first as an enslaved person, and later as a tenant farmer and guide to.....
Southern United States: 1890s. Albumen photograph on mount, image measuring 4 x 2 ½ inches. Some foxing to mount, image fine with excellent contrast. An uncommon image of an African-American family of six in an outdoor setting, likely in the American South in the 1880s-1890s. One of the children sits.....
New Haven: William Notman Company, 1872. Albumen photographs measuring 5 ½ x 4 inches on larger mounts, with the William Notman company information on versos. Near fine condition with some slight fading at images at margins, otherwise fine, quite well preserved. A fine trio of cabinet cards showing the African-American.....
Newburgh: Abel A. Peck, 1860s. 3 ½ x 2 ¼ albumen print on larger mount. A carte-de-visite copy of a folk art painting probably painted c. 1820s-1830s. William Seymore (1786-1846) was a Methodist minister in Bellvale, New York. Edward Ruttenber and L.H. Clark, in their 1881 History of Orange County.....
Fort Ethan Allen: 1910. Gelatin silver print mounted to board, 16 ¼ x 14 ½ inches. The 10th Cavalry was one of the original “Buffalo Soldier” regiments of the post-Civil War segregated U.S. Army, first seeing action in the Indian Wars. Their band is shown here most likely during their.....
Western United States: Likely Pre-1883. First Edition. Albumen prints measuring 7 ¼ x 4 ½ inches on larger mounts. Captions below images read “Omaha War Dance,’ “The Squaw Dance,” “The Brave at the Pole of Torture,” “Sun Dance Council,” “Departure from the Sacred Ground,” and “Cutting of the Holy Pole.”.....
New York, et al. 1921-1934. Large heavy folio, 12 x 14 inches. 81 leaves, cloth covers with string-through binding. Housed in a custom clamshell box. Leonidas Westervelt was a New York-based playwright and theater historian who also had an interest in archaeology. This scrapbook documents his digs in the New.....
Montana or Wyoming: 1900-1910. Silver gelatin photographs on thick paper mounts, photographs measuring appx. 4 x 5 inches, mounts 8 x 10. A series of photographs of Crow, taken circa 1900-1905 by an unknown photographer, possibly acquired at a Wyoming street festival. The images bear some resemblance to the work.....
V.P. c. 1905. Twenty five silver gelatin photographs measuring 3 ⅜ square on slightly larger mounts. Slight fading to images, excellent overall. A collection of travel photographs, most captioned, likely taken by a N.E.A. delegate on a 1905 tour of the Southwest which ended in San Antonio, and also including.....
Colorado: 1183-1884. Albumen photographs measuring 7 ½ x 4 ½ inches on larger mounts. Some chips to mounts, occasional foxing and spotting, good to very good overall with very good contrast. Three early photographs of Colorado taken by an unknown photographer in the early 1880s, taken shortly after the Denver.....
Olympia: 1925. . Limp pebbled calf portfolios measuring 12 ½ x 10 ½ inches, with 106 illustrations, nearly all photographic, of furniture. Interior fine, some wear to portfolios, overall quite well preserved. The Henry McCleary residence in Olympia was built in 1923, sparing no expense. The mansion still stands today.....
Dakota Territory: 1883. An uncredited photograph taken by F. Jay Haynes. Haynes was the official photographer for the Northern Pacific Railroad Company and Yellowstone National Park. Haynes took a series of pictures of the Crow in 1883, including this picture of Ashishishe. The picture was likely taken at the last.....